Waiting for Godot consists of two characters that are installed on the stage and just do nothing except wait for Godot. Talk among themselves and when asked what the hell they are doing they say "waiting for Godot." And that act after act. Waiting for Godot, but Godot never appears. literary interpretation moves beyond us at all times the appearance of developments and to penetrate its deepest sense. In Waiting for Godot, we see characters who just do nothing but talk, but just weave a genuine dialogue. Interrupted, not threaded phrases and thoughts in a coherent manner, are often expressed mechanically, without will present ideas with respect. So the players are bored to death and lack of hope. They are just waiting, just letting time pass.
A world where time of fiction, the discontinuous, gaining strength and is identified by the word and the communication process between the voices of the playwright, the characters and the reader - viewer
This book has little plot, but subject, and this involves a basic experience-linking of non-creativity and boredom, and a radical insight: the lack of creativity is a tragedy for the man because it causes his suffocation fun. Leaning into the void of his own existential nothingness, spiritual feeling dizzy actors, ie, distress, and, as a mere waiting for a savior does not redeem man from this painful situation, at the end of the work does not have before them two choices equally unmeaning full, hang or keep waiting. Following the proposition of Augustine, is a man who questions the meaning of the temporal, of the present, past, future, its duration in life or time. Beckett
recognized as central time itself, where guests are immersed beings and things to fall into account the diversity of elusive moments where there is no enduring forms, fixed and constant, ie can be played with the hands of the clock. Break with conventional time. The plans vary in their temporal continuity, the disparate thoughts occur, are interrelated, are manifested in the play where the playwright's creative spontaneity is present. Plural nature of time that leads the reader-viewer to build a kind of complicated relationship with the proposed vacation time work as a life experience, time spent traps to reflect on the break with the classical unity of time, unit to fracture and become discontinuous offers dramatic time autonomous essence. The timing is not something alien to consciousness but which is given by her.
On the other hand, the future of According to Heidegger, Bergson, is motivated because the man is aware of inevitable death. Then the order does not create an original structure to design or interpret the time. Interpretations as livable reality, the duration and the advent, in the temporal overlap dramatic temporality where conventions magic gathering to express thanks to fiction can be experienced over time as experience. Experience expressed in the dialogues that take place during the period drama. The time modulation is given by the discontinuity and the acceleration or deceleration. Can exist in a play, long or short segment, unexpected breaks or planned that can be captured in an analysis. Monograph
Nidia created by Marta Veloso. Extracted from: September 24, 2006
http://www.ucm.es/info/especulo/numero25/godot.html
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